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Audience little theatre alexandria1/6/2024 "Productions don't all have to be box office successes, as long as the season as a whole is a box office success," said Preston. "To change what our patrons expect might sound our death knell." "There's a formula here that works, which is not to say we're stodgy, because we're not," said Bradford. It is also conscious of its commercial appeal. "We have paid our way, although we do not have a burgeoning stable of big millionaires," its 50th-anniversary history notes proudly.Īs a nonprofit, nonpaying organization, it is probably the most elaborately organized community theater in the area, with a board of governors, seven vice presidents and a battalion of committees. The Little Theater of Alexandria keeps itself solvent primarily on the strength of its box office receipts. We're between community and professional theater, in that we don't pay but we have more than other community theaters." "A performer here only needs to worry about performing. "The facility makes a huge difference," said the theater's president, Greg Bradford, who works in the African bureau of the State Department. "It's a pleasure to work here, because as a producer I'm not concerned with finding rehearsal space or a piano," said Preston, who, when not involved with the Alexandria theater or other theatrical ventures, works as a financial consultant. The group opened its own theater at 600 Wolfe St. It now stages seven shows a year, offers classes, judges one-act plays in a writing contest and holds a high school drama competition. Except for a brief intermission during World War II, the theater has been going strong since the start. There are about 50 community theater groups in the Washington area, but the Little Theater of Alexandria, which got its start in Alexandria living rooms in 1934, is the granddaddy of them all. "One of the joys of live theater is that no two shows are ever the same," said production vice president Paul Preston. *A curtain that tore when it dropped at the end of a performance of "Dial M for Murder."Īfter more than 50 years of live theater, the Little Theater of Alexandria has come to expect - and even relish the fact - that not everything will go according to the script. No one knew where all five circuit breakers were. *A circuit breaker that tripped five minutes before the curtain was to go up. He's a physician in an intensive care unit in Baltimore. *A leading man who called to say he couldn't make that evening's show because of a crisis at his other job. In recent weeks, the Little Theater of Alexandria has had to deal with:
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